Source United States | Publisher : Sony Pictures | Release date 30 May 2023
Video format
2160p24 – Ratio 2.39
Dolby Vision / BT.2020 – HEVC encoding
Master intermediate 4K
Soundtrack
English Dolby Atmos
French (Quebec) DTS-HD MA 5.1
Subtitles
English
French
Rated 3.5 out of 5
Artistic : 6 | Video : 9 | Audio : 10
It is brought to the attention of our dear readers that, in addition to the specified and used viewing equipment, the rendering may differ from one installation to another, whether or not it is calibrated, as well as personal preferences and expectations may influence notation. Moreover, the images in the article are not representative of the edition tested.
Test equipment and condition (Config. HP: 5.1.4)
Video broadcaster : Sony Bravia XR-65A80J (Dolby Vision Luminous)
Sources : Oppo UDP-203 Audiocom Reference | Zappiti Reference
Pregnant : Sennheiser Ambeo Soundbar (Dolby Atmos | DTS Neural:X), SVS SB-4000
WORK - The man of space against big dinos
After a terrible crash on an unknown planet, the Mills pilot quickly discovers that he actually failed on Earth... 65 million years ago. To succeed in their only chance of rescue, Mills and Koa, the only other survivor of the crash, must make their way through unknown lands populated by dangerous prehistoric creatures.
At crossing After Earth and Jurassic Park, 65: The Earth Before The adventure in marked terrain (predictable scenario, cliché characters) and misses his promise by following a way far too public (soft violence, few dinosaurs to get under the tooth). But if it does not revolutionize the genre, this survival of SF which prefers the drama to the action (correctly put in the picture) is followed without displeasure (successful visuals, tight pace) and has the merit of giving back to our large carnivorous reptiles their identity as dangerous predators (in contrast to the last one). Jurassic World where they were as scary as a Chihuahua at a Chanel parade).
IMAGE - The Lost World
Captured at a 6K resolution with Sony's VENICE digital camera and finalized in 4K, the image worked by Salvatore Totino (a fadasse photograph without an ounce of identity even so pleasantly cinematic in its rendering) is returned with the utmost care by this UHD Dolby Vision transfer close to perfection (a little noise here and there even if better managed than on the Blu-ray).
The details are clearer (precision of close-up planes, textures of the skin, clarity of environments), the deeper colorimetric palette (terrous shades, carnation) with more vibrant primary (including reds and blues), reinforced contrasts (a boon since much of the action takes place at night) with deeper blacks and brighter whites, and enhanced light sources (sweetness, sunlight, gun flashes, computer terminal intensity, torches heat, meteorite flaming).
SON - It was at the time of dinosaurs 🎶
Barded with effects and atmospheres (the forest environment comes to life), the enveloping and stunning Dolby Atmos track will push your HC installation into its last cuts.
The soundscape is lush (the fauna and flora are palpable), the monster dynamics (the emergency landing), the field surround engaged, the deceiving aerial scene (reverberations in the cave, the fall of meteorites, the roaring of giant reptiles), the clear dialogues, the powerfully delivered score (composed by Chris Bacon in collaboration with Danny Elfman) and huge bass (with many impacts at the bottom of the spectrum).
Less committed spatially and stunned by monotonous dubbing, the VFQ proposed in DTS-HD MA 5.1 is nonetheless very spectacular.
CONCLUSION - A fossil to dig up?
Piloted by the writer duo behind No noise , this harmless B-series entertainment finds biting on 4K Ultra HD support thanks to A/V services that roar with pleasure! But isn't it time to let dinosaurs rest in peace?
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