SOS Ghosts: Ice threat, just frozen?

From a digital capture finalized in 4K, this UHD Dolby Vision transfer to the average bitrate of 77.5 Mbit/s and to the HEVC compression rarely visible (if this is the emanation of a light color banding behind Garraka's face during one of its appearances) respects the urban atmosphere over the year (to stick to the original films, the grain less) set up by the director of photography Eric Steelberg.

The definition is remarkably precise (the streets of New York are just behind your windows), the details gain somewhat in subtlety (face hair, textile fibres, interior decor) and sharpness is exemplary (see the texture of the mini bibendums). However, saturation and contrasts differ little from Blu-ray, an aesthetic charter.

The chromatic palette dominated by blue and sepia colours only too rarely benefits from the increased depth of the WCG (except in the esoteric shop) since voluntarily on the reserve, the dark scenes that find their equilibrium in the restitution of blacks to the measured density are barely more dark and the light sources, often on the hold (an average luminance of 187 cd/m2 and a MaxCCL of 518 nits with peaks rarely exceeding the value of 400), display a resurgence of brightness (the gyrophares of the Ecto-1, the effluves, the Melody incandescence).