SourceFrance |Publisher: Studiocanal |Release date: 06 September 2023
Video format
1080p24– Ratio 2.35
CSD / BT.709 – AVC encoding
Soundtrack
FrenchDTS-HD MA 5.1
Subtitles
French
Rated 4 out of 5
Artistic : 8 | Video : 9 | Audio : 8
It is brought to the attention of our dear readers that, in addition to the specified and used viewing equipment, the rendering may differ from one installation to another, whether or not it is calibrated, as well as personal preferences and expectations may influence notation. Moreover, the images in the article are not representative of the edition tested.
Test equipment and condition(Config. HP: 5.1.4)
Video broadcaster: Philips 65OLED908 (Filmmaker Mode)
Sources: Oppo UDP-203 Audiocom Reference | Zappiti Reference
Pregnant: Sennheiser Ambeo Soundbar (DTS Neural:X), SVS SB-4000
WORK - Repair workshops
Since 2014, in France, Restaurative Justice has been offering victims and offenders the opportunity to dialogue in secure devices, supervised by professionals and volunteers. They are called Judith, Fanny, Michel, Nassim, Issa, Thomas, Gregory, Nawelle, Sabine, Chloe. They will engage in a process of mixing anger with hope, words and silence, and at the end of which, perhaps, reparation will be born.
Orchestrated at the rhythm of significant testimonies and carried by a prestigious casting (composed in particular ofLeila Bekhti, Gilles Lellouche, Miou-Miou, Jean-Pierre Darroussin, Adele Exarchopoulos, Dali Benssalah, Élodie BouchezandFred Testot), this quasi-documentary choral drama, highlighting a still unknown device, frees the words of its protagonists (victims and delinquents) at the same time as it touches the heart of the spectator. Petria of humanity and never didactic, this ode to resilience sung with hope restores faith in humanity in the wanderings of our time.
IMAGE - A glimmer at the end of the tunnel
Apart from a few setbacks from the definition during the dark scenes, this HD transfer carefully restores the privacy of the frames (the close-ups on the faces abound) and elegance without chichi of the photograph signedNicolas Loir. The filmed patina is attractive (a grain of a beautiful finesse), the piqué globally chiseled, rich and nuanced colorimetry, and well managed contrasts.
Those words that repair...
Accompanied by the intense piano scorePascal Sanglawhich illustrates the path of individuals, this soundtrack encoded in DTS-HD MA 5.1 rests above all on the dialogues, crystalline, since being the main character of the work. The frontal balance is convincing, the atmospheric atmospheres discreet and the natural dynamics.
CONCLUSION - Restoring the Social Link
While restorative justice helps to repair souls by a word that connects, this success of public utility that it owes toJeanne Herry (Pupil) has improved therapeutic effect in Blu-ray (real-fed A/V benefits).
Ordered the blue ray of this film today from Pavilion C of the Psychiatry Pole of Grieugne in Saint-Maur in the 36th, I have psychic problems to solve, but this fair and detailed critique confirms me in the already positive priori that I had had when seeing the trailer. Not going much to the cinema since my mother's death and because of my energy, financial, human, mental, psychotic precariousness I had regretted not having had the strength to see him in theaters. Congratulations on the editorial work of the site.
[...] again to close this criticism the contribution of Jeanne Herry (director of I will always see your faces in particular) to the writing of the Kingdom, which was a long-term film since he took [...]