While I regularly repatriate my previous 4K Ultra HD tests before MaG, I ended up with a certain amount without any advice on the work. In fact, rather than abandoning them in the limbos of the web, I thought the Bazar would be the perfect section to welcome them... With for the occasion, a modification of the layout. Good reading!
Contents
Alex, the fate of a king
Source United States | Publisher : 20th Century Fox | Release date : 16 April 2019
Video format
2160p24 | Ratio 2.40
HDR10 | HDR10+ | BT.2020
HEVC encoding | DI 2K
Soundtrack
English Dolby Atmos
French (Quebec) SDR 5.1
Subtitles
English
French
Rated 3 of 5
Video : 8.5 | Audio : 9
IMAGE – Despite CGIs that are necessarily more visible (the incrustations jump to the eye) and blacks that are not always deep enough (especially during the first confrontation against Morgana), this UHD presentation is a nice upgrade to HD transfer. The images enjoy a little more clarity, benefit from finer textural details (the decorations in the house of the Elliots), exploit brighter colours (the red parkas of Alex, the blue dudoon of Lance, the green grass of the English countryside) and use more punchy light sources (the sunrises, the swords of fire of the demon riders, the reflections on armors).
SON – Well balanced and with very immersive atmospheric effects (the traffic in London, the wind running through the Tintagel plains), this Dolby Atmos soundtrack is a call to adventure. The dialogues are clear, the surprising dynamic, the careful spatialization, the active rear scene, the reflected height elements (rain, thunder, the fall of a cliff of a few thousand dead, the vortices caused by the wings of the semi-dragon, etc.), the resulting score and the surprisingly overwhelming bass (especially when the bewitched trees hit the ground). Less fished and really tightened, the VF is not so predisposed to travel.
Backdraft
Source France | Publisher : Universal Pictures | Release date : 15 May 2019
Video format
2160p24 | Ratio 2.35
HDR10 | BT.2020
HEVC encoding | DI 4K
Soundtrack
English DTS:X
French SDR 5.1
Subtitles
English
French
Rated 4 out of 5
Video : 8.5 | Audio : 9.5
IMAGE – With this brand new 4K remasterization, the Blu-ray's dated images are only a distant memory. The master has been completely cleaned, the 35 mm grain displays more delicately, the definition is greatly superior despite still slightly soft planes (especially in the bar at the beginning of the film), the details are considerably clearer (the uniforms, the decorations, the vehicles), the new color calibration solidifies all the shades (especially the reds) and adds a great deal of heat to the planes (which is still much more realistic), the contrasts are more engaging (lighter whites and blacks less bright) for a clear gain in depth, the light sources are much more intense (of course the flames that seem to be all the more apparent from the frame, but also the reflections on the safety bars, the gyrophars, artificial lighting, the sun), and the smoky interiors are released from the compressive constraints of the past.
SON – A DTS:X remixing of anthology that will never stop looking for the limits of your audio system. It must be said that at the time (in 1991), Gary Rydstrom had already created a memorable soundtrack. The intensity of the dynamics is incredible, the richness of the acoustic scene is evident, the activity on all channels is ultra-engaged, the breadth of Hans Zimmer's superb score is obvious, the clarity of the dialogues does not weaken in spite of the chaos in the room, and the depth of the bass is absolutely terrifying (cf. explosions and the roaring of the flames). And thanks to the height scene (birds, reverberations, alarms, water, cracks, falls and especially fire), fires spread in the listening room as never before. Similar to the previous Blu-ray, the VF cannot fight with equal arms in the face of frenzy (but what energy!) and physical pressure (your LFE channel better know how to cash) sent by the VO.
Back to the wall
Source United States | Publisher : Lionsgate Films | Release date : 09 April 2019
Video format
2160p24 | Ratio 2.40
HDR10+ | Dolby Vision | BT.2020
HEVC encoding | DI 2K
Soundtrack
English Dolby Atmos
Subtitles
English
Rated 3.5 out of 5
Video : 8 | Audio : 9.5
IMAGE – Luminous and much more detailed than on Blu-ray (see architectural textures), the images of this 4K Ultra HD enjoy a dizzying depth of field. But Lionsgate The granularity of the photograph varies from one plane to another. In turn imposing or over-absorbed, it betrays the use of a sometimes violent DNR when some planes appear with questionable softness. Overall, however, the definition remains sharp and allows you to appreciate the beauty of the frame. And there are also the metallic colors with increased coldness that benefit from an improvement in saturation (the blue shirt of Nick Cassidy, the red jacket of Suzie Morales, the green shades in the cell), the modern contrasts that appear as even more solid (with the support of a rise of the details in the shadows), the light sources that have more brightness (inner lighting, a flashlight) and the compression that is of absolute discretion (adieu aliasing and tingling in low light).
SON – Dolby Atmos made in Lionsgate pure juice with committed dynamics, notable magnitude and energetic bass. With an efficient acoustic envelope, it diffuses realistic atmospheres (urban noises) with as much strength as subtleness and a particularly exciting score on all channels. And if the air scene is not very present, it still raises many effects (resonance of road traffic, aircraft, a door, an elevator, air in a venting duct, a helicopter and descents as a reminder).
Exodus: Gods and Kings
Source France | Publisher : 20th Century Fox | Release date : 29 March 2016
Video format
2160p24 | Ratio 2.40
HDR10 | BT.2020
HEVC encoding | DI 2K
Soundtrack
English DTS-HD MA 7.1
French SDR 5.1
Subtitles
English
French
Rated 4 out of 5
Video : 9 | Audio : 9.5
IMAGE – As divine as HD transfer, this 4K Ultra HD presentation can boast of delivering an even more unreal definition (cf. the richness of the backgrounds), details to the more formidable precision (the pores of the skin, decorative ornaments), colors worked with more pronounced shades (including blue and amber shades), contrasts marked clearly reinforced with blacks not only technically top but also better dosed (so dark scenes gain in accuracy and visibility), and brighter light sources (light of the day, flames, candles, reflections on blades and armor). Nevertheless, the improvement of the contours applied here on the Blu-ray is always present here (and more perceptible in UHD), proof if it is that it is the same master.
SON – A high-fly mix that requires with mastery of well-active rear tracks (but a little soft on the VF), a delicately extended score and energetic basses. Whether it is during intimate passages or during large action scenes, the hearing experience is wide and enveloping with many environmental effects and a dynamic range of extreme width. And to top it all out, dialogues are always restored with the necessary presence and clarity.
Godzilla (1998)
Source France | Publisher : Sony Pictures | Release date : 29 May 2019
Video format
2160p24 | Ratio 2.40
HDR10 | BT.2020
HEVC encoding | DI 4K
Soundtrack
English Dolby Atmos
English DTS-HD MA 5.1
English DTS-HD MA 5.1
Subtitles
English
Rated 3.5 out of 5
Video : 8 | Audio : 9.5
IMAGE – Unmistakably destroying its HD counterpart, this UHD HDR10 transfer (drawn from a 4K restoration) has a remarkable definition and sharpness (the softness of some plans is due to the integration of the CGIs who have now very badly aged), much more revealing details (faces, clothing, decors), a more stable and palpable silver grain (Super 35 format), much less dull and therefore more vibrant colours (cf. saturation of the primary ones), considerably reinforced contrasts (brighter whites and richer blacks), and undeniably more intense light sources (inner lighting, shop signs and projectors). However, when Jean Reno and his team appear on the screen and speak in French (a dozen shots), the image becomes very bad to seem like a (very good) DVD! In reflecting on it, subtitles were to be inlaid on the master during these passages.
SON – In VO as in VF, this soundtrack far from being moderate (and which may miss the passage of a hair of clarity) is monstrously spectacular. The dynamics are titaniumic, the sound scene is really wide, the spatialization is ultra-enveloping, the speakers do not have a minute of respite, the effects/ambiences are destructive, the score is particularly wide, the basses are well authoritarian and the dialogues are always intelligible. The aerial scene of the Dolby Atmos mixing is constantly requested (the ubiquitous rain), without counting (alarms, voices, explosions, Godzilla roarings, landslides, helicopter flights, etc.).
Hannibal (2001)
Source United States | Publisher : Kino Lorber | Release date : 07 May 2019
Video format
2160p24 | Ratio 1.85
HDR10 | Dolby Vision | BT.2020
HEVC encoding | DI 4K
Soundtrack
English DTS-HD MA 5.1
English DTS-HD MA 2.0
Subtitles
English
Rated 4 out of 5
Video : 8.5 | Audio : 8.5
IMAGE – Supervised directly by chef op John Mathieson, this all-new 4K restoration goes far beyond the rendering of the HD transfer. The grain of the work is preserved without being invasive (if not in the sky towards the end), the definition has made a considerable leap forward (the backgrounds are finally clear), the details have been significantly improved (never the face of Mason Verger was so disgusting), the elegant and gothic colors are reinforced (especially the primary ones) with tones of healthy flesh, the contrasts benefit from more penetrating blacks and the light sources are clearly unbridled (light of the day, artificial lighting, candles, gyrophars). What's in the mouth?
SON – Reworked since the release of the Blu-ray (cf. spatialization), mixing 5.1 puts on finesse, shade and precision to try to seduce us. Energetic when needed and using well-feeling directional effects (the shooting of the beginning), his DNA is mainly found in the flawless restitution of his dialogues. Nevertheless, the power of the old mid-flow VF DTS (absent here) is missing.
Hellboy II: The Cursed Golden Legions
Source France | Publisher : Universal Pictures | Release date : 15 May 2019
Video format
2160p24 | Ratio 1.85
HDR10 | BT.2020
HEVC encoding | DI 2K
Soundtrack
English DTS:X
French SDR 5.1
Subtitles
English
French
Rated 3.5 out of 5
Video : 7 | Audio : 9
IMAGE – If it makes us enjoy a small portion of additional images (a light back zoom), this UHD HDR10 transfer seems to be just a simple upscal of the excellent Blu-ray released in 2008. The definition therefore remains a little soft (it falls elsewhere as soon as there are CGIs in the frame) and it is too soft (except for close-ups that are of good precision). In addition, the silver rendering is like « muzzled » proof that some of the DNR went through it. But rest assured, many details appear in the background thanks to better management of high lights. Overly lit in the CSD, the images here are darker and more natural (the contrasts are actually more nuanced) while exploiting more radiant light sources (Liz Sherman's flames, the glowing energy of the gold soldiers, the lighting in the OPRD premises). As for the colours, once so bright and oversaturated, they now appear with more restraint (the red skin of Hellboy and the gilding of the golden crown are for example much firmer) accentuating the ochre colour of the photograph. Even so disappointing, this minor upgrade makes it possible to make the most of Red's adventures and his band.
SON – Expressive and very generous in effects of height (the aerial scene is heard almost 80% of the time), the VO DTS:X is a great soundtrack that really does not lack life. The voices have body, the dynamics are aggressive, the spatialization is well enlivened, the surround effects always respond present and the score inspired by Danny Elfman is perfectly ventilated in the acoustic space. However, even if it remains massive, the LFE channel was more physical (especially in the low frequency restitution) on the Blu-ray's DTS-HD MA 7.1 mix. The VF is more reserved, as it works to reach its height.
Justice League vs. The Fatal Five
Source United States | Publisher : Warner Bros. | Release date : 16 April 2019
Video format
2160p24 | Ratio 1.78
HDR10 | BT.2020
HEVC encoding | DI 2K
Soundtrack
English DTS-HD MA 5.1
French (Parisian) Dolby Digital 5.1
Subtitles
English
French
Rated 3.5 out of 5
Video : 8 | Audio : 7.5
IMAGE – Started with Constantine: City of Demons and followed by Reign of the Supermen, the high dynamic range offered by the support marks for the third consecutive time in DCAU A real gap with Blu-ray images. And although the minimalist style of animation does not allow the details to enjoy the increased resolution of the UHD, the plans appear as more stable and rid of all traces of color banding. Then there are the colours, more subtle and deep, that give an excess of life to the images. But as I announced a little earlier, it is the contrasts (cf. the brightness of the whites), the light sources (the superpowers, the lighting of the Tower of Guet, the explosions) and the blacks (the deepest and readable) that benefit from the sharpest improvement.
SON – Primarily focused on the front, even if the environmental atmospheres and action scenes occasionally use the rear scene, this dynamic mix that delivers clear dialogues and heroic music all but narrowed, accompanies as it should the return of the Bruce Timm Justice League. However, the VF has a lower quality of dubbing (a constancy in the production of DC Animated Universe).
Karaté Kid (1984)
Source United States | Publisher : Sony Pictures | Release date : 16 April 2019
Video format
2160p24 | Ratio 1.85
HDR10 | BT.2020
HEVC encoding | DI 4K
Soundtrack
English Dolby Atmos
English DTS-HD MA 5.1
English DTS-HD MA 2.0
French (Parisian) Dolby Digital 5.1
Subtitles
English
French
Rated 4 out of 5
Video : 8 | Audio : 8
IMAGE – More stable, precise, cinematic and richly coloured, the images of this 4K Ultra HD surpass those of Blu-ray while remaining within the aesthetic limits of the work (a ubiquitous grain and lots of sweetness). The definition is generally improved (see broad plans), the details become sharper (faces, clothes, decors), the silver texture has been fully preserved, the colours benefit from more heat (there is no doubt that we are in California) with many wider shades (blue sky, green vegetation, red flags, yellow car), the rather natural contrasts enjoy never very deep blacks but much better controlled, and the high dynamic range allows the different light sources (light of the day, the sun, interior lighting and motor vehicle headlights) to display with more vitality (but without excess).
SON – If this new Dolby Atmos mix manages to broaden the sound scene (the spectators during the tournament) and add depth to the score (serious more penetrating ones), it finally retains its original nature by not overexploiting the surround activity (it is clearly the front stage which is the most detailed), using only very moderately of the aerial plane (some ambiance and some music), and suffering from a slight lack of clarity on the side of the sounds in the background. Presented in 5.1 instead of 2.0, the VF remains immersive despite a smaller opening.
The Red Rose
Source France | Publisher : The Smoker Cat | Release date : 17 May 2019
Video format
2160p24 | Ratio 1.66
CSD | BT2 BT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2 NT2
HEVC encoding | DI 4K
Soundtrack
French DTS-HD MA 2.0
English DTS-HD MA 2.0
Subtitles
English
Rated 3 of 5
Video : 7 | Audio : 6
IMAGE – Made from the original negative, this unexpected and unexpected 4K restoration is remarkable in almost all points. But on budgetary matters, the HDR was not invited to the castle. In the end, it's not very serious because this bis reel that detonates reveals itself as never before in its history. There are certainly shots below it, the fault of shots at the failed focus (when shooting so), of some variations of colors within the same scene (especially when molten) and of some rare tingling, but the work done here comes out of the ordinary. The copy presented is clean and clear, the definition is solid, the details are particularly clear, the colorimetric palette is flamboyant, the contrasts are generally firm and the blacks simmer without harm the darkness of this macabre tale that evokes the Italian gothic films of the 1960s. As for the differences with the Blu-ray, proposed inside of the same packaging that I would call magnificent, they are played on the side of increased resolution (and it is clearly visible) and compression. The latter consolidates the whole (the colors gain a hair in firmness) including the light grain of the era that displays with more finesse. So I want to thank the French publisher The Smoker Cat, specializing in the release of exploitable films, for his initiative and to congratulate him for the final result.
SON – Corrected even if limited (this stereo mix being of very tight base and rather broke), the VF n The dialogues are perfectly intelligible, the atmospheres are well present and to my astonishment the serious haunt the places properly. Much less strong at the same level, the VO suffers which is more than an ambient breath that masks certain sounds. But let us avoid complaining (perhaps for the absence of French subtitles), the latter being considered until then as lost.
Mary Poppins' Return
Source United Kingdom | Publisher : Disney | Release date : 15 April 2019
Video format
2160p24 | Ratio 2.39
HDR10 | BT.2020
HEVC encoding | DI 2K
Soundtrack
English Dolby Atmos
English (Quebec) Dolby Digital Plus 7.1
Subtitles
English
French
Rated 3 of 5
Video : 9.5 | Audio : 8.5
IMAGE – To take advantage of the aesthetics of the time a tantinet kitsch of the work, it is clearly towards the transfer UHD HDR that one must turn. From the extra sharpness to the perceptible increase in detail (textural fineness of the streets), to the increased vitality of the colors (blue sky, green grass, colored balloons) and the improvement of contrasts (the depth of field found in the night scenes with the light-emitting lights), the very good version 1080p can only appear as much inferior. Especially since I have not yet mentioned the solidity to any test of compression (the fog is never a problem) and the natural disarming of the different sources of light (the delicateness of street lighting, the luminous intensity of some light sources). « musical escapes » like the bathtub sequence).
SON – As required for each new publication Disney, listening to Dolby Atmos mixing requires to increase the volume beyond the reference threshold. Once this stage has been completed, this soundtrack will be very entertaining if not memorable. Volunteerly joyful and full of music, it offers with the help of an appropriate dynamic and never aggressive, a magical acoustic universe where dialogues are clear and the atmospheres support effectively broadcast on the surround channels. The aerial scene (small atmospheric effects and some parts of the score) and the bass box (cannon fire) nevertheless engages quite little. Largely also playful despite a less precise multichannel distribution, the VF ensures as a great.
Widows
Source France | Publisher : 20th Century Fox | Release date : 03 April 2019
Video format
2160p24 | Ratio 2.39
HDR10 | HDR10+ | BT.2020
HEVC encoding | DI 4K
Soundtrack
English Dolby Atmos
French SDR 5.1
Subtitles
English
French
Rated 3.5 out of 5
Video : 8.5 | Audio : 8
IMAGE – An obvious and almost always excellent UHD HDR upgrade. Because the blacks are sometimes a little light and the granular texture is more pronounced, these images benefit from increased resolution (DI 4K), enhanced details (the pores of the skin, the fabric of the clothes, the background furniture), richer and saturated brown colours (the vibrance of green grass), improved contrasts (more legible and brighter white night scenes) and more powerful light sources (the headlights/gyrophars, urban lighting, explosions, shooting of firearms).
SON – If it does not miss aplomb during the action sequences (large dynamic range and rumbling of the LFE channel), this very dilapidated Dolby Atmos track does not really seem to be imposing. Voluntaryly calm and enveloping (superbent placement of atmospheric effects), it diffuses its partition under tension with great fidelity. And when the story dictates it, it does not forget its abilities related to the height scene (see the opening scene). As for FV, which is less extensive and percussive, it does not detract.
Marie Stuart, Queen of Scotland
Source United States | Publisher : Universal Pictures | Release date : 26 February 2019
Video format
2160p24 | Ratio 2.39
HDR10 | Dolby Vision | BT.2020
HEVC encoding | DI 4K
Soundtrack
English Dolby Atmos
French (Parisian) Dolby Digital Plus 7.1
Subtitles
English
French
Rated 4 out of 5
Video : 9 | Audio : 9
IMAGE – Sublime despite some hazy blacks (a deliberate choice) inside royal mansions, the image of this 4K Ultra HD benefits from a beautiful increase in clarity (it's perfect to admire the beautiful Scottish landscapes), a clear improvement in detail (the increased accuracy of textures), a remarkable rebalancing of colors (the unprecedented depth of blue shades - gowns-, reds - hair- and green - vegetation-), a strong mastery of contrasts (the whites are brighter) and a multiply brightness (the daylight of the day and the heat of the various flames).
SON – With a confusing realism and unexpected energy, the soundtrack of this historical epic continues to surprise. The mixing is very clear, the voices are sharp, the dynamics fly away with ease, the background atmospheres are very immersive (the waves, the animals), the effects slam well (the swords and the detonation of the guns during the battle), the amazing score of Max Richter triumphs in the listening room, and the bass really impress (an explosion and the spread of a fire). Amplifying the sensation of space in the rooms of the castles (cf. reverberation), the VO Atmos uses a surprisingly generous aerial scene (wind, seagulls, deflagration).
Mary and the witch's flower
Source Japan | Publisher : Disney | Release date : 20 March 2018
Video format
2160p24 | Ratio 1.85
HDR10 | HDR10+ | BT.2020
HEVC encoding | DI 2K
Soundtrack
Japanese DTS:X
Japanese DTS-HD MA 5.1
Japanese DTS 2.0
Subtitles
Japanese
English
Rated 4.5 out of 5
Video : 9 | Audio : 10
IMAGE – An enchantment of all the moments that touches peaks inaccessible yet very beautiful Blu-ray. With such an impeccable definition and barely more precise details, this HDR10+ UHD transfer proves to be much more magical thanks to the highly visible contribution of WCG and HDR technologies. The flamboyant colors are even richer, the sharper contrasts are even stronger and the light sources become brighter (light of the day, the sun's rays through the woods, the light of the sun's light). « Night flight » and the flames are just a few examples). Definitely impeccable even if the contribution in resolution does not come to mind, the images of this 4K Ultra HD do justice to the work done on animation.
SON – Balanced, energetic and full of acoustic elements of all kinds, this DTS:X mix is a lasting impression. With an incredible clarity, it is also equipped with careful spatialisation, an adventurous aerial scene (the fauna and flora, the movement of the air, the use of magic, explosions, etc.), a perfectly restored score and amazing basses (which sometimes hit hard). Compared to all the animated films I've been able to test, this soundtrack is just the best I've ever listened to!
Simetierre (1989)
Source France | Publisher : Paramount Pictures | Release date : 24 April 2019
Video format
2160p24 | Ratio 1.78
HDR10 | Dolby Vision | BT.2020
HEVC encoding | DI 4K
Soundtrack
English DTS-HD MA 5.1
Dolby Digital 2.0 English
Subtitles
English
French
Rated 3.5 out of 5
Video : 9 | Audio : 8
IMAGE – Supervised by Mary Lambert, the director of the work, this new 4K restoration may not be perfect (the very moderate use of DNR and EE) but at last gives its nobility letters to this classic of horror. The master's degree of cleanliness (scratches and other white dots are only a distant memory), the silver grain displays with much more finesse than before, the increase in resolution is often blatant (despite a certain sweetness due to the source) with an increased sharpness of all the elements of the frame (cf. details in the house of Creed), the warmer colors today have sometimes been rethought/corrected (the eyes of Church, the cat of the family) and benefit from wider hues (green vegetation) which thus come out better (the red paint of heavyweights), the contrasts have been enriched to allow the dark scenes to enter a new dimension (the black ones are magnificent), and the light sources are otherwise more salient (the brightness of the sunny sequences, the interior lighting, the glow of the moon and the demonic eyes of the feline).
SON – A little out-of-date even if with great clarity (the reproduction of the dialogues) and surprisingly dynamic (the many passages of the trucks), the VO takes advantage of a fairly wide sound scene where the rear channels play well during the last act (the steps and the laughs of the returner). But to exploit it well, we must not hesitate to increase the volume. Unnecessary action in passing if you opt for the VF of the era, even more impacting despite a limitation to the only front scene.
Spider-Man: New Generation
Source France | Publisher : Sony Pictures | Release date : 06 May 2019
Video format
2160p24 | Ratio 2.39
HDR10 | BT.2020
HEVC encoding | DI 2K
Soundtrack
English Dolby Atmos
English DTS-HD MA 5.1
Subtitles
English
French
Rated 4.5 out of 5
Video : 9.5 | Audio : 10
IMAGE – Unique in its aesthetic that constantly evokes printed comics (pop art imaging, reduced cadence, presence of cartridges, penciled contours, imperfections of certain features, error of printing and over-textures), the stunning image of this animated film is just beautiful. Much clearer than in HD with thinner lines (the physical constitution of the characters) and therefore more refined details (the background objects), this UHD HDR10 transfer to the stronger definition also benefits from a wider range of colors (the gradients of reds on the costumes) less scratched with the eye than on the Blu-ray, more harmonious contrasts (better gradation of whites and management of blacks) that reveal in the high luminances imperceptible elements in SDR, and lights of all kinds (light of the day, city lights, headlights and other gyrophars, purple energy of the Rôdeur, LEDs of the Peni Parker robot, interference between universes) that more brilliantly emphasize the graphic richness of the work.
SON – An incredible mix of crazy creative freedom. Provided with a demented and rhythmic dynamic by a score that drives seriously, it continuously distributes delirious effects and ultra-immersive atmospheres to the four corners of the listening room while using low punches (cf. inter-dimensional climax). With an aerial scene as impressive as the rest (the « breathing » The VO is necessarily more enveloping than the very good VF (dubbing a little undermixed).
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