After completion of Budapest (2018) and some episodes of Gangs of LondonXavier Gens comes back with Farang. A beating film in the Thai Moisturizer, presented at the NIFFFAnd just coming out on the screens.
After serving a sentence in France, Sam (Nassim Lyes) is reliving in Thailand. Between a chain of small jobs, a accomplished family life and many projects, his past will catch him up where he least expects.
Pure batton film with ultra impressive choreography, Xavier People offers us a moving camera that sticks to the bodies and transcribes the shots. If you can complain about a rather agreed revenge story, you can't resist it. Farang Hey! On the one hand empathy for the small family cell is immediate (the young Dara embodied by Chananticha Tang-Kwa is great in the film), but the swelling of action scenes to reach a hallucinating climax of violence is taken from end to end.
Let's still touch a word about the sound design, perfectly mastered and distilled the materiality of each shot – a real uppercut of bass – and a photograph alternating between moist darkness and urban neon that ends up convincing us. If John Wick 4 Surprised his spectator with his incredible castagna-sequence plans, it is clear that the effectiveness of the Farang Put poor John in the closet.
In short, a nice proposition from People before his Sharks for Netflix, where he would reintervene Nassim Lyes this time alongside Berenice Béjo for a story of sharks in the Seine... Case to follow!
Drinking the Stephen Kings as the apricot syrup of my native country, I first discovered cinema through its (often bad) adaptations. I'm married to Mrs. Wilkes as much as a persistent Stockholm syndrome, I am gradually opening up to videoclub films and B-series peasers.Today, I wander between my favorite cinemas, film festivals and the edges of Helvetic lakes much less calm than they look.
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[...] a great French name. From Frontier(s) to the Farang uppercut which he had loved at NIFFF, he slalomed between the genres with a taste of [...]