The pandemic period will most likely have had its impact on artistic creation. Confined in turn on the planet as musical chairs, it was the ideal opportunity to experience solitude on a large scale. In reality, have we ever been this alone together? Tin Can in the vein of these closed doors which are reduced to the same unit of place, a coffin for Buried (2010), a cryogenic capsule for Oxygen (2020) and now a sarcophagus from which several scientists must escape for the last film of Seth A. Smith. Who says even unity of place also says perilous exercise to realize to keep the spectator in breath. You're told in video why the heroine would have done better to stay in his can!
Is there a pilot on the plane?
If the first part started rather well, with all the necessary tight shots on bodies in the grip of panic, won by the cold sweat of those who wake up on all sides, spent the first half-hour, the film darkens in the pictures specific to the series B that This is a shame because the initial aesthetics were flying with these intermittent lighting and incendiary colors. Tin Can certainly has a small budget and focusing on the experience of confinement per se would probably have been more judicious than exposing us to abracadabrant, vile and creditless scenes.
Slow and tasteless, we accumulate distressing situations and if the author of his lines is not a fervent defender of synthetic images (CGI), there is no doubt a half measure between the Bolognese plate and the crushed brain. Once out of the cabins, the decorations are empty and flat in colours that make toc at first glance. Coral virus leads to failed contaminated and more reminiscent of scraping cheese Ficello [the editor of MaG contests in advance any connection with any placement of products]. A agony that is supposed to remind coral and which could have been successfully translated, as was the case with parasites fungus video game The Last Of Us, otherwise more credible.
« I wonder if I should wake up or fall asleep. »
As regards the flashbacks supposed to give substance to narration, they are probably the most distressing with intrigues without at stake. Forgive me from the outset spoiler but special mention at the scene where heroin inculcates the « Crustacean virus » To his companion, unfaithful and asleep, stinging him with a syringe through the chip. Why? Good question... None of the characters has enough depth to arouse any empathy. And except for the main actress Anna Hopkinsthe actors themselves do not seem to believe in their game, Simon Mutabazi First! Even Michael Ironside does not manage to raise the attention of the public who is suddenly caught up with the incomprehension, then sleep, the film having not been sluggish on the length of the film. Apart from the confined starting point, which in the absence of being original, is rather faithful to the coverage of the film in the tones like the spirit 1980, difficult to recommend Tin Can In the state!
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