Metroid Dread, the strength a little too quiet?

The player is constantly mobilized by the gameplay, sometimes to the point of tangle the brushes for some manipulations that require to press multiple buttons. I am thinking specifically of the control of the grapple, the only one that proves to be quite imprecise for as little as one jumps simultaneously, and some approximate hooks to the cornices. Let's talk about exploration now! This one regularly confronts us with environmental puzzles, some of which can be solved immediately and others which need to be postponed to a later date, for lack of the capacity adapted to the first passage. In this case one can pin a thumbnail on the map, a practical mnemonic medium to remember nothing. We unlock the upgrades at a sustained pace and witness the transformation of Samus into a space warrior always has its small effect. Unfortunately the teleporters are too far away from each other and are not all interconnected. When the next end of the journey is seen, we refuse to finish searching the universe, because of areas made therefore too time consuming to cross and because of a carrot not attractive enough to throw body and soul into a quest « Completionist ». The concern also arises during the rest of the adventure because of the areas guarded by the EMMIs, so inflating that it comes to resigning itself to cross them in order to get this reserve of missile that had been spotted and set aside for later.

In short, it is a strange emotion that leaves us with the level design of the Metroid Dread who recited his lesson of the perfect metroidvania for an undeniable effect with brilliance but too schoolly best-of. If the fluidity of experience is likely to be a strength for a majority of people, it will certainly be a weakness for the regulars, I'm hearing those who like to get lost and then better appropriate their environment. Dark Souls and Hollow Knight embody good examples of an "active exploration" of a world. In the masterpiece of From Software, the absence of map forces us to design our own mental mapping, with all that contains personal landmarks and imaginary boundaries, making it unique. There are so many Dark Souls All players. In the title of Team Cherrry, it is getting a map to a NPC that eventually tempers our navigation on sight. All this to say that even if the Metroid Dread brush us in the direction of the hair, it has the undesirable effect of never really mobilizing our sense of orientation so that satisfaction turns out superficial because not deserved, as if the game feared to lose us. To make short one never feels personally invested in a mission, the one that makes us delay the moment to go to bed to find the reserve of energy or missiles that will make the difference.

A concrete example of this philosophy, which holds its hand without saying it, lies in a silly detail: a few powers to unlock are only used in a handful of places. This is an artifice of game design Basic enough to guide the player, in contrast to a Castlevania: Symphony of the Night or Metroid Prime in which the discovery of a new skill meant potential access to many new places or upgrades, or even a new road that eventually only reached a temporarily blocked exit, prompting us to turn back to deepen our tracks. This will never happen to you in Metroid Dread. One feels catapulted like a ball in a closed circuit instead of having the intoxicating sensation of evolving in semi-free electron in an organic hive with multiple secrets, as could be the case in Metroid Prime or Super Metroid To name but a few.